Tag Archives: EF lens

Rokinon Optics is expanding the existing “XEEN CF” product line at the upper end of the focal length with a sixth prime lens with a telephoto focal length of 135mm, which is relatively strong for cine lenses. Rokinon Xeen CF 135mm T2.2 cinema lens is designed for full-frame sensors, comes in three mounts: ARRI PL, Canon EF, Sony E, and …

Vazen has introduced a 135mm T2.8 1.8x anamorphic lens for full-frame cameras with Canon EF and PL mounts. Thus, the set of anamorphic optics for the company’s full-frame now includes three lenses – 135 mm complements the previously presented 50 mm T2.1 and 85 mm T2.8 anamorphic lenses. The Vazen 135mm T2.8 1.8X lens is designed for wide format cinema …

Canon has unveiled its first full-frame EF zoom lenses for cinema production: the CN-E20-50mm T.2.4 LF/FP and CN-E45-135mm T2.4 LF/FP. Both Canon camera lenses have a constant aperture of T2.4 and don’t forget that they are zoom lenses, and they cover the most commonly used focal lengths for shooting video. Canon wide angle zoom lenses received Canon EF or PL …

Irix is ​​expanding its range of cinema lenses and has introduced the brand new 21mm T1.5 Cine lens. The bright ultra-wide angle lens is designed for mirrorless cameras and cinema cameras that are equipped with a full-frame image sensor. Accordingly, it is available with various lens mounts: ARRI PL, Canon EF, Canon RF, L Mount, Micro Four Thirds, Nikon Z, …

Dzofilm has announced the release of the Vespid 16mm T2.8 Cine Prime ultra-wide-angle cine lens. The optical design of the lens consists of 14 elements in 10 groups, the minimum focusing distance is only 25 cm, and the viewing angle is 270 °, the diameter of the aperture ring is 50 °, the aperture is 16-blade. Last July, Dzofilm first …

Meike has introduced a new MK-EFTR-C adapter for attaching Canon EF lenses to EOS R mirrorless cameras. The adapter supports autofocus, aperture control directly through the camera, and EXIF ​​data transfer. Built-in stabilization system makes focusing more precise and clear. The adapter is also waterproof and dustproof. The outer layer of the adapter ring is sprayed with metal frosting, which …

Meike has officially unveiled a new budget segment cinema lens: Meike 24mm T2.1 Prime full-frame cinema lens. This is the fourth lens in the Meike line. Previously released 35mm, 50mm, and 85mm T2.1 lenses. The new Meike 24mm T2.1 Prime Cine Lens is available in Canon EF, Sony E, Leica L, Canon RF, and PL mounts. The lens covers a …

Viltrox has unveiled the EF-L autofocus lens adapter for Canon EF / EF-S mount to Leica / Panasonic / Sigma L-mount cameras. This adapter supports in-lens IS stabilization, EXIF ​​transmission, electronic auto iris control, and has a built-in Type-C port for firmware upgrades. The manufacturer claims that full lens performance is achieved with the new adapter. Viltrox EF-L price and …

Korean optics manufacturer Samyang has announced a new MF 135mm T2.2 VDSLR MK2 full-frame manual cinema lens. This video lens has received weather protection, a new aperture, and design changes to the body compared to the first version of this lens. The Samyang MF 135mm T2.2 VDSLR MK2 features a seal on the mount to create a waterproof barrier between …

Meike has unveiled its new cine prime lens, the Meike 75mm T2.1 Super35 Cine for EF and PL mount. This PL and EF lens will join the Meike S35 Cine Lens lineup, which includes the previously released Meike 35mm T2.1 and Meike 50mm T2.1 cine lenses. Like the previous two models, the new cine lens is available for PL and …