DZOFilm boasts an already impressive lineup of video lenses, encompassing both zoom and prime varieties. Expanding its repertoire of video optics, the company has officially introduced the DZOFilm PAVO 2X series—anamorphic prime
Meike has introduced a new manual lens – Meike 35mm F0.95. It is designed for mirrorless cameras with APS-C sensors: Canon EF-M, Canon EF, Fujifilm X, Micro Four Thirds, Nikon Z, and
TTArtisan has officially announced the new 11mm f2.8 Fisheye 180-degree full-frame lens for DSLRs from Canon and Nikon. The TTArtisan 11mm f2.8 Fisheye, unlike its mirrorless counterpart, has 10 aperture blades (7
Rokinon Optics is expanding the existing “XEEN CF” product line at the upper end of the focal length with a sixth prime lens with a telephoto focal length of 135mm, which is
Earlier this year, Irix introduced the Irix Cine 21mm T1.5 (approx. $1,200 on Adorama) full-frame cinema lens, and now it is the turn of a similar tool for photographers – the Irix
Venus Optics has unveiled the updated Laowa 15mm F4.5R Zero-D Shift lens. It is an R version of the existing Laowa 15mm F4.5 Zero-D Shift lens was introduced in May 2021. The
Vazen has introduced a 135mm T2.8 1.8x anamorphic lens for full-frame cameras with Canon EF and PL mounts. Thus, the set of anamorphic optics for the company’s full-frame now includes three lenses
Zhong Yi Optics has introduced the new Cine lens named Mitakon Speedmaster 50mm T1.0 for Canon EF and Arri PL cinema cameras. Zhong Yi Optics is famous for its fast photo lenses,
Irix is expanding its range of cinema lenses and has introduced the brand new 21mm T1.5 Cine lens. The bright ultra-wide angle lens is designed for mirrorless cameras and cinema cameras that
Dzofilm has announced the release of the Vespid 16mm T2.8 Cine Prime ultra-wide-angle cine lens. The optical design of the lens consists of 14 elements in 10 groups, the minimum focusing distance