Tag Archives: Canon EF

DZOFilm boasts an already impressive lineup of video lenses, encompassing both zoom and prime varieties. Expanding its repertoire of video optics, the company has officially introduced the DZOFilm PAVO 2X series—anamorphic prime lenses that made their debut at this year’s NAB 2023 exhibition in Las Vegas. The DZOFilm PAVO 2X anamorphic lenses, tailored for Super35 sensors, present an enticing array …

Meike has introduced a new manual lens – Meike 35mm F0.95. It is designed for mirrorless cameras with APS-C sensors: Canon EF-M, Canon EF, Fujifilm X, Micro Four Thirds, Nikon Z, and Sony E. The optics provide an equivalent focal length of 53mm on cameras with APS-C sensors. The optical design of the new fast lens consists of 10 elements …

TTArtisan has officially announced the new 11mm f2.8 Fisheye 180-degree full-frame lens for DSLRs from Canon and Nikon. The TTArtisan 11mm f2.8 Fisheye, unlike its mirrorless counterpart, has 10 aperture blades (7 for mirrorless cameras) and 12 elements in 10 groups (11 elements in 7 groups for mirrorless). At the same time, the minimum focusing distance increased slightly to 0.25 …

Rokinon Optics is expanding the existing “XEEN CF” product line at the upper end of the focal length with a sixth prime lens with a telephoto focal length of 135mm, which is relatively strong for cine lenses. Rokinon Xeen CF 135mm T2.2 cinema lens is designed for full-frame sensors, comes in three mounts: ARRI PL, Canon EF, Sony E, and …

Earlier this year, Irix introduced the Irix Cine 21mm T1.5 (approx. $1,200 on Adorama) full-frame cinema lens, and now it is the turn of a similar tool for photographers – the Irix 21mm f1.4. The new Irix lens is aimed at demanding professional photographers and is available for Canon EF, Nikon F, and Pentax K mounts. It is also adapted …

Venus Optics has unveiled the updated Laowa 15mm F4.5R Zero-D Shift lens. It is an R version of the existing Laowa 15mm F4.5 Zero-D Shift lens was introduced in May 2021. The new lens features a 14-blade aperture (compared to a 5-blade aperture in the standard version), resulting in a softer bokeh effect. The angle of view of the Laowa …

Vazen has introduced a 135mm T2.8 1.8x anamorphic lens for full-frame cameras with Canon EF and PL mounts. Thus, the set of anamorphic optics for the company’s full-frame now includes three lenses – 135 mm complements the previously presented 50 mm T2.1 and 85 mm T2.8 anamorphic lenses. The Vazen 135mm T2.8 1.8X lens is designed for wide format cinema …

Zhong Yi Optics has introduced the new Cine lens named Mitakon Speedmaster 50mm T1.0 for Canon EF and Arri PL cinema cameras. Zhong Yi Optics is famous for its fast photo lenses, but the T1.0 aperture is impressive. Many may wonder why such a wide aperture is needed for shooting movies, to which the company claims that it will come …

Irix is ​​expanding its range of cinema lenses and has introduced the brand new 21mm T1.5 Cine lens. The bright ultra-wide angle lens is designed for mirrorless cameras and cinema cameras that are equipped with a full-frame image sensor. Accordingly, it is available with various lens mounts: ARRI PL, Canon EF, Canon RF, L Mount, Micro Four Thirds, Nikon Z, …

Dzofilm has announced the release of the Vespid 16mm T2.8 Cine Prime ultra-wide-angle cine lens. The optical design of the lens consists of 14 elements in 10 groups, the minimum focusing distance is only 25 cm, and the viewing angle is 270 °, the diameter of the aperture ring is 50 °, the aperture is 16-blade. Last July, Dzofilm first …