Dzofilm has introduced a new Gnosis Macro 24mm T2.8 lens. The cine lens is available with interchangeable mounts: LPL, PL, and EF. With this lens, the manufacturer supplemented the line of optics with a fixed focal length, which already includes: 32mm, 65mm, and 90mm. The cost of Dzofilm 24mm T2.8 is the same as that of other lenses in the …

Meike has introduced a manual ultra-fast lens, the 25mm F0.95. The lens is designed to cover APS-C sensors and is available for mounts such as Fujifilm X, Sony E, Nikon Z, Canon EF-M, Canon RF, and MFT system cameras. The optical scheme consists of 11 elements arranged in 9 groups. There is no information about whether there are special elements …

Meike introduced the new Prime 100mm T2.1 cine lens, designed to work with S35 sensors and PL or Canon EF mounts. The optical design has 13 elements in 7 groups and a diaphragm with 12 blades. The lens in the PL version has a length of 98.5 mm and weighs 990 g, for the EF mount it is 106.5 mm …

TTArtisan has officially announced the new 11mm f2.8 Fisheye 180-degree full-frame lens for DSLRs from Canon and Nikon. The TTArtisan 11mm f2.8 Fisheye, unlike its mirrorless counterpart, has 10 aperture blades (7 for mirrorless cameras) and 12 elements in 10 groups (11 elements in 7 groups for mirrorless). At the same time, the minimum focusing distance increased slightly to 0.25 …

A cine lens manufacturer Meike has released the Meike 18mm T2.1 Super 35 lens for PL and Canon EF mount cameras. The lens has become the sixth in the Meike S35 Cine Lens series. With the release of this lens, a complete set of optics for film production now consists of the following focal lengths: 18mm T2.1, 25mm T2.1, 35mm …

Meike has stepped up with a 16mm T2.5 cine lens for full-frame photography. It is a wide-angle lens for film production, designed to work with PL, Canon EF, Canon RF, Sony E, and Leica L mounts equipped with rings focus and aperture with standard teeth for follow focus systems and covers a 45mm image circle. The Meike is known for …

Earlier this year, Irix introduced the Irix Cine 21mm T1.5 (approx. $1,200 on Adorama) full-frame cinema lens, and now it is the turn of a similar tool for photographers – the Irix 21mm f1.4. The new Irix lens is aimed at demanding professional photographers and is available for Canon EF, Nikon F, and Pentax K mounts. It is also adapted …

The new Tokina Vista 180mm T1.9 cinema lens is now available for pre-order on online marketplaces, offering filmmakers a highly sought-after telephoto lens. The lens provides a natural perspective that accentuates the faces of subjects and creates a beautiful blur when needed. It is equally suitable for Super35 and larger formats up to Vista Vision. The lens complements the existing …

Zhong Yi Optics has introduced the new Cine lens named Mitakon Speedmaster 50mm T1.0 for Canon EF and Arri PL cinema cameras. Zhong Yi Optics is famous for its fast photo lenses, but the T1.0 aperture is impressive. Many may wonder why such a wide aperture is needed for shooting movies, to which the company claims that it will come …

Dzofilm has announced the release of the Vespid 16mm T2.8 Cine Prime ultra-wide-angle cine lens. The optical design of the lens consists of 14 elements in 10 groups, the minimum focusing distance is only 25 cm, and the viewing angle is 270 °, the diameter of the aperture ring is 50 °, the aperture is 16-blade. Last July, Dzofilm first …