Meike has introduced a new ultra-wide-angle cine lens Meike 10mm T2.2. A manual focus lens is designed for Canon RF, Fujifilm X, and Sony E mount. To use it with full-frame cameras, you will have to switch to APS-C mode. The focus ring has standard teeth settings for using follow focus. The prime lens is designed specifically for video shooting: …
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Venus Optics launches Laowa 20mm f4 Zero-D Shift Lens for Architectural Photography
With the Laowa 20mm f4 Zero-D Shift, the Venus Optics introduced another wide-angle shift lens after the Laowa 15mm f4.5 Zero-D Shift. The new 20mm lens was designed for full and medium format cameras, where medium format means Fujifilm’s GFX cameras with the Fuji G mount. In total, the new Laowa 20mm f4 Zero-D Shift lens is offered with eight …
Read More »Canon launches CN-E20-50mm, and CN-E45-135mm T2.4 LF/FP Zoom Cinema Lenses
Canon has unveiled its first full-frame EF zoom lenses for cinema production: the CN-E20-50mm T.2.4 LF/FP and CN-E45-135mm T2.4 LF/FP. Both Canon camera lenses have a constant aperture of T2.4 and don’t forget that they are zoom lenses, and they cover the most commonly used focal lengths for shooting video. Canon wide angle zoom lenses received Canon EF or PL …
Read More »Meike launches 105mm T2.1 FF Prime Cine Lens
Meike has introduced the new 105mm T2.1 FF Prime Cine Lens. The lens complements a series of T2.1 aperture film production optics that includes 24mm T2.1, 35mm T2.1, 50mm T2.1, and 85mm T2.1 lenses. The 105mm T2.1 lens weighs 1.1kg and is available in PL, Canon EF, Canon RF, Sony E, and Leica L mounts. Meike’s complete range of prime …
Read More »Lensbaby unveiled Soft Focus II lens for SLR and MIL cameras
Lensbaby has added a 50mm fixed focal length Soft Focus II lens to the Optic Swap System. It is a new, improved version of one of the first products of the system. In particular, it differs from the original version by an adjustable 12-blade aperture. Aperture is manually adjustable from f/2.5-f/22. When shot at its brightest aperture settings, the lens …
Read More »Mitakon Speedmaster 50mm T1.0 Cinema Lens for Canon EF and Arri PL
Zhong Yi Optics has introduced the new Cine lens named Mitakon Speedmaster 50mm T1.0 for Canon EF and Arri PL cinema cameras. Zhong Yi Optics is famous for its fast photo lenses, but the T1.0 aperture is impressive. Many may wonder why such a wide aperture is needed for shooting movies, to which the company claims that it will come …
Read More »Laowa 7.5mm T2.9 Zero-D S35 Cine Lens for Sony E, Canon RF, Nikon Z, and Fuji X mounts
Venus Optics has introduced the new Laowa 7.5mm T2.9 Zero-D S35 Cine lens for Sony E, Canon RF, Nikon Z, and Fuji X mounts. It is the widest rectilinear prime lens you can find in the Super35 market, covering a 123° angle of view. The lens was designed for shooting in tight spaces and for long shot use. According to …
Read More »Tokina SZ Super Tele 500mm F8 Reflex MF Lens Introduced
Tokina SZ Super Tele 500mm F8 Reflex MF catadioptric telephoto lens is officially presented. It is a manual focus super-telephoto lens that will work with six different full-frame and crop camera systems using the T-adapter system: Canon EF, Fuji X, Micro Four Thirds, Nikon F, Nikon Z, and Sony E. The catadioptric optical design consists of seven elements in seven …
Read More »Canon unveils RF 800mm f5.6 and RF 1200mm f8 L IS USM Super Telephoto Lenses
To mark the 35th anniversary of the Canon EOS line, the company has announced two new RF mount super-telephoto lenses: the Canon RF 800mm F5.6 L IS USM and the RF 1200mm F8 L IS USM. Although these Canon RF lens models are similar to their EF counterparts in name, both Canon telephoto lens models feature a new optical design …
Read More »Kipon Ibelux 40mm F0.85 Mark III Lens for Canon M, Fuji X, MFT, Sony E, and Leica L
Kipon has announced the new Ibelux 40mm F0.85 Mark III lens. The lens is available for Canon EOS M, Fujifilm X, Micro Four Thirds, Sony E, and Leica L mirrorless cameras. It will become noticeable when shooting wide open with the new Kipon Ibelux 40mm F0.85 Mark III. At this aperture, you’ll reportedly get much less chromatic aberration, higher resolution, …
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